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Manipulate Cells Cells can be manipulated using a toolbox of MIDI and audio tools: visual effectors, pitch benders, a virtual drum machine, sequencers and much more. A typical Max for Live device might use a few different types of cell manipulation tool. To play the cells, simply click on the cell to play in a sequence. A cell can be played in any of the open tracks, or a cell can be added to a new track via the session navigator. Either way, youll be presented with a dynamic instrument that can be quantized via the session navigator. Similarly, the cells can be recorded back into live or into an audio session. This can be done from any track, and recording can be paused, replayed or saved. If you want to use a live device in a wider context, consider using Live 9s assignable MIDI tool, the “MIDI Arpeggiator”. Multi-track synths The cells can be grouped into multi-track synths. The number of tracks for the synth can be set, and the type of cell manipulation available will be different in each track. Multi-track synths can be created using the main track in the session, but can also be created using Session View or the Session View’s generator bar as a starting point. When a cell is selected from a multi-track synth, its parameter values can be edited and these can be recorded back into the original cell.

Multi-track Instrument Once youve created a set of cells, a unique Max for Live instrument can be created that uses all of the cells in combination. To create an instrument, start by importing some cells from a Max for Live based 3rd party plug-in (see above) or from Live 9s native audio tools. The 3rd party Max for Live based plug-in provides the basis for creating the actual Max for Live device. Once the plug-in has been loaded, look for a generated bar that looks like this. Push and hold the space bar to select that bar, and you’ll see a number of different options. The most useful for making a new instrument is the “add instrument” option. Be sure to select the “route” checkbox, because this tells Live 9 to route all of the cells into the instrument when its played. Select the path to cells option to tell Live how you want the cells played, while the pan key is used to control what cells (or parts) to play.

Live 11 was also a huge release for Max, its audio technology creation environment. Users can drag and drop and sequence audio clips together to make complex and powerful loops that are easy to tweak in real time.

For some people, video is the most useful tool in their arsenal, and Live gives you a good package of tools to add video to your audio projects. It lets you export to AVI, MPG, MP4, and WMV formats for playing on your computer or for immediate use. Live also has several video effects for quick touch-ups, such as Dual X, Edge, Overscan, Crosshair, and Zoom. And if you use the Video Track and Audio Track together, the result is a multi-layered clip that can be played back in real time, or you can save it to disk with the Add Media option.

Live’s integrated audio engine is powerful and versatile. It includes individual bandwidth processing for up to 32 stereo or 4 mono inputs. There are a lot of built-in mastering effects, including limiter, normalize, chorus, and distortion. The input channels can be assigned to two independently adjustable buses, giving you flexibility in routing. It also has four standard stereo output bus, and each bus can be routed independently.

Live gives you a lot of control over your sound, including a kick-ass effects processor with 16 high-quality effects, individual effects for each channel and each track, and the ability to fine-tune all processing at any time. The simplest effect options are built-in, and they have the same interface as other Max tools and sounds, so there’s plenty of efficiency to work with. Each effect gets an easy to remember control knobs and sliders. Below each control knob or slider, there are labels for the corresponding effect, as well as a legend for each. My favorite is the band tool, as it shows the spectrum of the track.

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We are excited to tell you about the latest advances in Ableton Live 10. Major improvements to the Push 2 controller will help you get the most out of your productions. Push 2 is the first Ableton hardware instrument. Push 2 brings all the learning and craftsmanship of a quality drumset to the software. You can express yourself through your hardware instruments on stage, in the studio, and in your jams at the same time. Push 2 was developed from the ground up, to provide you with the ultimate experience. Learn how to setup Push 2, get Ableton Live 10, and find out what all the fuss is about.

Want more of a reason to upgrade? Ableton Live 10 contains a number of major improvements, features and additions, some more useful, some more flashy, but one thing they all have in common is that they will make your life as a musician easier. Here are just some of the highlights:

One of the biggest changes in Live 10 is its updated graphical user interface, which has been completely redesigned from scratch. Gone are the days of just spinning dashboards and a horizontal list of panels, in their place is a visual map of Max for Live, Cracked Ableton Live and the underlying LN Client, where you can see and navigate MIDI clips, Wavetable instances and audio clips. Theres even a new gestures panel at the bottom, which lets you press all of the different controllers and motion detectors in two clicks. Unless you know what youre doing, this might seem a bit alien and confusing, so it’s easy to forget your way around, but it’s actually quite intuitive.

Weve all heard it in a hundred different ways, but thats true. Youre going to spend all your time within the confines of Ableton Live 10. If that isnt enough, theyve added a new browser to help with the organisation. Time to break out and rearrange that whole organisation ball! Although, its true that if youve been using a previous version of Live youll find it all a little like navigating a maze.

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• Weaved sequence
• Track function
• Last-1 properties
• Play with time
• Selections
• Sequences
• Brush
• Organise song information
• Artists timeline
• Arrange song
• Transitions
• Delay
• Tracks
• Plugins
• Mixdown
• Session View
• Party list
• Stick menu
• Snap settings
• Groups
• Page grid
• Separate clip play-in
• Play until end

• Track view provides the best possible track overview for faster and more productive work.
• Timeline View. See all clips on all tracks at the same time.
• Panorama view. A screen wide view on all the clips in the timeline.
• Clips can be arranged into scenes. Multiple clips can be played on a single screen.
• Clips can be reordered with the click and drag of the mouse.
• Some clips are muteable. They are enabled and disabled in the clip context menu.
• Clips can be removed from the timeline.
• Clip can be highlighted. They can be seen in the clip menu.
• Reveal all track in timeline.
• Track labels can be toggled on/off.
• The View context menu has been improved. It now contains clip options.
• Keyboard shortcuts are mapped.

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