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We spoke about track compression and the possibility of turning it off, and its a good option. But as always, compression doesn’t fix audible issues like pitch-shifting. By default, Ableton lets you tweak what each take lane represents in terms of audio-rate resolution. If you apply compression, less audio-rate is lost, but as you mix longer, more becomes corrupted. As long as you check the resolution of each lane, you can keep the number of corrupted sections to a minimum. Track compression is one of the features new to Live 11 that I like most: never again will I be at the mercy of a non-universal codec, and my library size will never increase again (if I don’t add in more Layers for a new project).
If you’re looking for a clean room to record and mix, Mix Rack is right up your alley. It combines the flexibility of Live with the super controls of your hardware DAW of choice, like a mix console. Full midi recording tracks (on the fly) and analog audio recording are just icing on the cake.
Ableton used to have a functional browser-based File browser which gave us a glimpse at the content of a folder. The new Live 11 File Browser is more professional, and gives us even more insight into whats in that folder than Ableton used to.
Ableton has improved its audio recording tools, as well. The Interface represents each audio track with a waveform and up to 10 red status meters. There are also a few more spectrogram representation controls, such as hue and color, and now you can turn on and off the noise floor while recording. The new recording tool also lets you input Channel Strip plugins instead of just Max For Live devices. Audacity can now use the Mix Channels (tool, or FX) when recording the MixRack, with a.wav file output option.
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Generating a MIDI file in Live was a powerful creative tool for me. I found that I could use MIDI tracks with different sequences and key sounds to control and modulate the sounds within the audio track. This gave me an easy and efficient way to edit out rhythmic elements, build new chords, change instruments or key sounds, or just give my sounds a little more body. This feature came in handy when I created my own composition methodology, and also when I recorded dozens of Clavia Nord Keyboards around the world. Again, I wish that Ableton had this functionality in the past as it was one of the primary reasons I made that MyWiggly Thing site.
Its also worth noting that Push, Live and Max couldnt be any more different in terms of their intended use. Push is essentially a keyboard for people who happen to use computers. Live is an easy to use and powerful DAW for people who might not have the time or inclination for even the most rudimentary programming. Max on the other hand is a powerful set of core algorithms that can be used for a multitude of creative purposes, but could not function as a DAW without a plug in for Max to power it. Theres almost certainly more to come in this area.
As a final thought, Im curious to see where the shared technology in Push, Live and Max leads us. What will we see in coming years? Will we have something like Push in the future that simply sits on top of Ableton Live Cracked, or will we have a stand-alone piece of hardware available for musicians who feel the need to keep the bread in their hands? My only advice is that if youre interested in what Live, Push and Max have to offer, then go back to school or pick up a book. If youll excuse me, Im going back to my keyboard. I forgot I even had Live on the first place. Bye!
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What’s new in Ableton Live?
Live 10 takes into account the feedback from users that have been using the software and has added a number of new features such as video and audio editing and the possibility to share audio and video clips over the internet.
Live 10 is designed to support artists who are working in multiple media, whether using Ableton as a primary or secondary host. Ableton features have been updated to make it easier to move from one media type to another.
Accidentals, chords, and many other adjustments are based on the root note, rather than on the 1st note (usually C in Western music). The most recent update of Live 10 allows you to create custom pages, sections, and clips that you can organize into tracks or groups. It also has been redesigned with a new modern look. MIDI mapping is improved, with more functionality.
Live 10 takes all of the great features from their previous products, including Live, Push, Drum Rack, Sampler, Pitch Bend and more, and builds them into one revolutionary new package. There are hundreds of new and updated features in Live 10 to help you make the most out of your music. Ableton Live 10 will save your favorite clips as page, section, or group presets so they are easy to find on the fly and more easily accessible to make it easier to make and find sounds.
Another major update to Lives software is the integration of a new Ableton product called Link. With Link enabled, you can sync your version of Live in time with friends using other computers quickly and easily over a wifi network.
For the first time in Live, you can plug in to a headphone socket via your computer, and the Audio Channel lets you plug directly into your studio. And you can now make a MIDI clip which is controlled by MIDI output devices. If you have a MIDI keyboard controller connected via the MIDI In socket, Live will detect it and switch all of the clip controls to keyboard control. This is great news for keyboard players, who can now use their favourite application if they want (like a pro DAW or a controller-based synth).
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What’s new in Ableton Live
- Have you seen the new Timeline and Playlist views? We think it makes going through your project a lot easier. You can now even drag and drop audio clips directly to the project, so your track building workflow will look a little something like this: drag in drums, drop to Drum Rack, drag in bass, drag to Chorus. After the project is built you can simply add more audio components from the Audio insert.
- And on the subject of Audio you will notice that the track now instantly records audio clips the same way it plays MIDI clips! This means you dont need to use external audio recorder plug-ins anymore, so you can easily control what your audio clip is in the mix without having to drop it into an audio track.
- For anyone who designs their own VST Instruments, here are a few new features in the Sample Editor:
- A per-row panel that you can modify for the contents of.
Ableton Live Features
- Live’s audio engine now can process multiple audio effects at the same time, thanks to the new render options in the clip view. This can be a really powerful new feature when working with effects, or even in generating live audio.
- The key drawing has been completely reworked to be beautiful and easier to use. The effects processing will optimize the process of drawing key change events.
- The effect racks have been refactored to make them more readable and easier to maintain. The current rack layouts will be reworked to improve the connection with the audio engine.
- The effect rack view now has a new map mode, making it much easier to manage multiple settings for one effect.
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