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The edit window is the home of the dynamic controls that make Pro Tools what it is. No other DAW on the market has a feature like that, and the more time you spend here, the more you appreciate its implementation. There are two different modes of control: the first is the flexible Timeline controls, which let you view your timeline at any of 9 different zoom levels. The second set of controls, called I/O, give you flexibility over your audio and MIDI connections. This set of controls includes an incredibly useful FX panel that gives you the ability to emulate ADA devices, provide virtual microphone preamps, and add 15 Avid-exclusive effects. Everything from real-time comp and reverb to sends and returns is here, and I haven’t even scratched the surface of what it can do!

The full version of the software comes with the third of Avid’s most-used plug-ins, the Nuendo-native Akai reaktor, that adds the flexibility to use analog-modeled IRs and effects. The full reaktor version of Pro Tools includes the entire Reaktor system in a massive bundle, including the U-he Kontakt skin as well as the Reaktor IR files.

Pro Tools 12 is a strong performer, and it took a step forward in version 16. This version, Pro Tools 16, marks the first new implementation of Pristine Audio on-board plug-ins since the introduction of Pro Tools 10 and the second since the release of Pro Tools 8.1 (that review was written in 2011). Pristine Audio includes three plug-ins: Transient Designer, which offers an extensive collection of sidechain-style effect plug-ins to spice up your mixes; Texture Designer, which offers everything from ultra-efficient EQs and new shaping tools to more-flexible ones that offer more choices; and Power Compressor, which adds ultra-wide-range compressor and linear phase EQ to the Pristine Audio range. A few low-cost add-ons such as the UE1176-like Filtrester, the Urei Mastering Tools (which can be used with all your files and audio as well as LTCs) and the new HPX32 should be considered. I had issues with the automated features, particularly the AAX plug-in, that require a lot of RAM, so if you’re running your soundcard for other reasons, you may want to look at the version that uses the new Pro Tools for Mixing Free plug-in format, 12.8.3.

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The newcomer at the high end is Pro Tools M-Powered, priced at $399 (retail) or $239 (for education use), and includes all the features of the high-end version. As a service that includes ongoing support and training, this version is targeted at studios that already have a full-stack workflow, and are already using Pro Tools as an integrated mixing and mastering suite (not just a recording tool). Training is more focused on the production end of things, with plug-ins, mixing tools, and mastering automation being the main topics.

That’s right; Pro Tools is once again a free-and-open-source project, and development is set to continue full-steam ahead. While this hasn’t been mandated by any other external partners, it’s certainly the direction that Avid wants to head in. Although it’s made its way into a different market, some of Pro Tools’ core concepts are still resplendent and can’t be ignored. The new user experience, and the overall stability of the software, is a vastly improved state of affairs.

AVID’s audio editing software offers powerful but less intuitive tools for professionals as well as novice users. While Audition is an easy-to-use, powerful professional audio editing software, you’ll find the toolset less intuitive if you’re more used to Pro Tools. However, those used to Avid Pro Tools Patched Editing Suite/Innova Suite will find the Avid Editor module’s streamlined interface easier to navigate.

The project management aspect of Avid’s product is also very powerful. With Avid’s Project library, you get a host of tools for organizing your projects and each project can have its own settings. There are also different views for the same project to show you the track status, tools, and settings.

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Plugins from IK Multimedia, a company we love to work with, are all included in every Pro Tools and Pro Tools Ultimate edition purchased through Avid. Consumers can download any of these plugins for free at the standalone website.

In partnership with IK Multimedia, we’re giving all Pro Tools and Pro Tools Ultimate 1-year subscription holders two versatile plugins at no additional cost. Get the sounds, feel, and vibe of legendary guitar and bass amps, speaker cabinets, stompboxes, racks, mics, and more with AmpliTube 5 SE. Then mix and master your sound with a collection of analog-modeled compressors, limiters, EQ, reverb, tape echo, and other digital processors in T-RackS 5 SE.

With Pro Tools Standard, you can now import files from any major audio platform, including Sound Forge, into Pro Tools and have them instantly rendered to Pro Tools Standard with no need to rebuild the project. Additionally, the new round of Pro Tools upgrades have improved OpenEx integration so that it works with and imports all Avid.com projects made using Pro Tools in previous versions. If you are working on an existing OpenEx project, simply upgrade it to Pro Tools Standard and you are all set.

With the new improvements in Pro Tools 2022.6, the workflow for quantizing has become much more streamlined. The Follow Bars Beats Grid option available in the Quantize Grid menu allows you to use the timeline grid as the quantize value, and MIDI notes will be quantized to whatever Bars Beats grid resolution you are currently using. The quantize operation can then be triggered using the new shortcut Command + Option + 0 (Ctrl + Alt + 0 on Windows). This is an intuitive way to work because the grid lines in the timeline serve as a visual guide for where notes will snap.

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• Convert Audio to MIDI: Drag and drop audio into Pro Tools, and you’ll see the instrument options appear. Pinch and pan audio to new MIDI slots. Drag, drop, and you’re ready to go!
• Play with audio using MIDI: Plus, a new MIDI Track is available for you to experiment with. There’s nothing better than to play with an audio clip and mash up time signatures, or mess around with a sound from inside the audio editor.
• Record audio to MIDI: MIDI Record is a great new way to track performance within Pro Tools. Record the audio and get automatic timing. Alter and record in real-time, all in the same edit.
• Re-pitch melodies: Easily change or re-pitch portions of audio to a new instrument or MIDI track. Just drag and drop the audio into the instrument track window and you’re ready to go.

• UP TO 24 GB RAM per processor card, for a total of 48 GB per DAW
• Ultra-fast over 100 MB/s HDX bus for superior I/O performance and high-speed PCIe communication
• Native processing for blazing-fast performance without requiring DSP for resampling, low-latency editing, and psychoacoustics that can be used in a customizable way
• Up to 5 HDXs can work together on a single system for up to 25 8-track, or 20 mono, systems
• CPU and RAM handles input and output simultaneously and reliably for seamless operation of multiple instances of Pro Tools
• Gold-status communication for error-free performance of the HDX bus from laptop, to desktop, to network, and back again
• HDX input and output channels are fully resamplable for superior audio quality
• Open up the sonic possibilities of HDX with a simple and intuitive Mixview panel that makes it easy to control and mix each of the two DSPs

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