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The following video demonstrates the possibilities of VocalSynth 2 as well as making some entertaining animated GIFs. Below that is the link to the download page for VocalSynth 2 (if you haven’t already bought it).
In fundamental terms, VocalSynth 2 (VST/AU/ AAX; $79 upgrade from v1) presents the same proposition as its predecessor. The input signal (a vocal, natch) starts its journey at the optional Pitch Correction section, before hitting a parallel bank of synthesis-based processing modules, the mixed output of which is fed into a chain of stompbox-style effects and ultimately blended back in with the dry signal.
VocalSynth was already a fantastic plugin, with endless potential for harmonising, mechanising, monsterising, enhancing, replacing and general transmogrification, and version 2 brings plenty of impressive new toys to the table. Most notably, Biovox, the Advanced view and the new effects make it far more versatile than before; and while the onboard synth engine is still a bit of a soft spot, at least we can now program it.
Lets imagine the following scenario: the vocal clip below is from a song called Yeah. For the chorus, the singer repeats the first half of the clip (the dry audio) twice. Thing is, once we get to that second round of repeats the whole yeah shtick gets a little tedious and we need a something to drive the song forward. People should be pumping their fists the second time around. For a healthy dose of excitement, I slabbed on an instance of VocalSynth 2 with every module enabled, adjusted each one to taste, then let the plug-in do its thing. I also added Vocal Doubler (our free plug-in!) for width.
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Vocoders can be used to generate novel sound effects, which are characterized by signal envelopes that are below about 1 second and have an attack, a sustain, and a release rate that may have non-linear characteristics. VocalSynth makes it possible to apply these envelopes to a signal that has a range greater than 1 second. The duration of a vocal effect can be varied, and the amplitude can be controlled.
Simple is good. iZotope VocalSynth Lifetime Version provides you with a vocalist’s toolbox featuring acoustic, instrument, and percussion modeling to capture the essence of your vocal performance. The easy-to-use interface and intuitive controls offer a complete vocal performance workspace that’s natural sounding, extremely flexible, and ready to shape sound with professional plugins and soft synths. Performance control-wise, iZotope VocalSynth offers several different modes that help make it easy to hone in on the essential elements of your vocal performance: – The Clear mode controls pitch and range very simply with a single wheel. – The Acoustic mode allows you to use a rich set of general and specific acoustic modeling modes to create a wide array of digital and analog sounding vocals. – The Instrument mode gives you complete freedom for digital modeling by allowing you to use any digital instrument plug-in (also customizable) and other modeling gear (virtual instrument, MIDI effects, pitch shifter, reverb, etc.). – The Percussion mode allows you to use any type of drum-sounding plug-in (also customizable) and other percussion instruments and FX (also customizable). – The Mono mode controls the way the sound of your vocal emerges from the mix with the Mono/Poly balance control, and, with the Automatic, Boost, and Optimized controls, iZotope VocalSynth can be configured with a large degree of flexibility to work well with virtually any recording. Instantly change the sound from soft to metallic or, even better, let the plug-in work for you.
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Once VocalSynth 2 has been tweaked to your liking, its time to layer this over a kick-ass snare. Here Ill be using the clap-rich Varispeech Lexicon Upright Kick sample to kick things off, and Ill be mixing the output of VocalSynth 2 with the bottom of the submix. The chorus of vocals will be coming from the demo project as well.
Wel follow it up with more layers of VocalSynth 2 applied to the same track, but Ill be using different variations of the Polyvox engine on the outputs to layer these over the kick. The idea of doing this is that each section is then feeding back into the original signal without any desaturation or harsh clipping.
This is the tip of the iceberg, for example look at the WAVdance VocalSynth 2 demo project in the same way Ive done above, and youll see we can layer other vocal elements such as the hi-hat, bass guitar and even more vocal harmonies over top of VocalSynths wet/dry output, or we can use the wet/dry output as a main vocal to build a clever vocal blend over it.
As an easy to use vocal platform that doesnt need to be touched once setup, I think that VocalSynth 2 is a very useful tool for budding producers. VocalSynth 2 will be updated frequently with the latest voices and features from iZotope, and who knows, its likely that vocals might replace the classic synth-esque effect racks in future.
VocalSynth 2 allows you to create a vocal with a voice that sounds like nothing else. The control room interface is intuitive, and the filters, faders and processing elements are highly capable, and the range of unique sounds that can be created is really astounding. With VocalSynth 2 youll be creating your own vocal tones and effects that are hard to replicate. If youre not a designer, you dont need any graphic design skills to create your own vocal because you can totally do it with iZotopes VocalSynth 2 alone!
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iZotope VocalSynth Features
- VocalSynth for a wide range of film and television use.
- Extensive integration with iZotope M4A support.
- Advanced Vocoder and Sample rate Conversion (including ADPCM, MP3 and Ogg)
- Variable Sample Rate audio export
- Import the MP3 or OGG format via Lame or mpg123.
What’s new in iZotope VocalSynth
- Five new modules
- Fully customizable parameters
- Jitter and Pitch correction
- Advanced filtering
- New preset UI
- New 8-OCT.EXE file format
- New soundfonts for Native Instruments Traktor Kontrol S4 and S5
- Tabbed preset browser
- 80 new presets
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